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Posts Tagged ‘urban design’

Earlier this month, the Pritzker Prize jury declined to retroactively include architect Denise Scott Brown in the 1991 award given to her husband and design partner, Robert Venturi. The jury’s action came in response to a petition created by two Harvard design students. An award-winning planning blog in my hometown, Smart City Memphis, used the occasion to remind readers about the last downtown plan that Brown worked on – the plan Downtown Memphis from 1986-87. In a post titled, Cobwebs Greeted Prestigious Downtown Plan, Tom Jones of Smart City Memphis relates the discouraging side of long-range planning as revealed by Brown’s experience in Memphis:

Downtown Memphis became the canvas for her firm’s last plan of its kind, primarily because they were losing money on them.

If it was her swan song, it was a magnificent one.  The Center City Development Plan was released in 1987 and its erudition, insights and recommendations were captured in the most impressive report ever delivered to Memphis.  There were about 20 volumes [!! emphasis added] replete with drawings, thoughtful insights, and provocative and solid recommendations.  As an associate with Venturi, Scott Brown and Associates, respected Memphis architect James Williamson – now an associate professor of architecture at University of Memphis – was a vital part of the team that developed the downtown plan and was instrumental in weighing options.

Unfortunately, the ambitious and impressive plan was largely ignored.  Instead of funding the summary volume that would lay out next steps and implementation, the Center City Commission took that money and paid for yet another redesign of Court Square Park.  It was also a time of leadership transition at Center City Commission and a time when government and developers were largely unreceptive to a scholarly approach to the future of downtown, instead of quick fixes like festival market places.  The failure of Memphis to embrace the plan was another factor in her firm’s decision to end planning of this kind.

Jones goes on to evaluate why the plan floundered.

It’s likely that her work was doomed from the beginning.  Venturi, Scott Brown and Associates selected by a one-vote margin.  Developer-friendly representatives on the selection committee supported a firm whose trademark was festival marketplaces.  The other half of the committee was people more interested in the urban fabric and the historic character of downtown.  At the end of the selection process, the votes were divided down the middle, and the deciding vote was cast by the chair of the selection committee.

In retrospect, while the plan was excellent, its impact and import were undermined by lack of support by some key downtown interests.  They criticized Ms. Scott Brown’s style, her approach to planning, the extensive public input process, and her openness in public discussions.

As one of these people said at the time, “we could have had a festival marketplace but instead we got a lot of preservationist talk.”  Over time, they would be proven wrong as festival marketplaces opened with banners and fanfare and closed some years later.  The public wanted authenticity and governments and downtown agencies were delivering up artificially contrived shopping arcades.

A video of Denise Scott Brown discussing the Memphis plan:

In Her Own Words

 

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Massive urban tunnel projects, like the Second Avenue Subway construction project in Manhattan, are mind-boggling in scale and complexity. The MTA just released some photos that have a lot of people talking. Read more about the project here.

Second Avenue Subway construction. MTA photo, Creative Commons license

Second Avenue Subway construction. MTA photo, Creative Commons license

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child in magnolia tree Memphis

This enchanting image was taken by a staff photographer, Alan Spearman, in my hometown newspaper, the Memphis Commercial Appeal. Alan is also an award-winning documentary filmmaker. It has been a couple of decades since I lived in Memphis, but hometowns always have a pull on your heart, don’t they? In this case, it is a poignant, even painful, pull on my heart. I discovered Alan’s work on a chance visit back in January to the Commercial Appeal’s website. I have been haunted, in particular, by the film As I Am which won a “Top 12 of 2012” Vimeo award among other awards. If you follow the link above, be sure to scroll to the bottom for the video of the tree, April, and her friend, Faith.

Landscape plays a prominent role in Am I Am. It is a landscape of poverty that lies just south of Downtown Memphis. It would be easy to produce a film of Memphis downtown revitalization that would prompt envy among city planners and urban designers (perhaps). There is nothing to envy about the world that Alan Spearman depicts. Urban poverty in the U.S. is not really acknowledged, but it occupies a significant footprint in every American city. From my perch in academia, I cannot help but see another incongruity – the fact that “urban ecology,” “ecosystem services,” and other concepts are the fodder for academic inquiry, but what actually constitutes urban open space are places just like the neighborhood depicted in this film. Cuts through the hood. What should happen at the intersection of “sustainable urbanism” and environmental justice? What is our duty to these landscapes, these neighborhoods, these people?

Alan Spearman gives us a gift, an insight into the lives of people that the middle and upper classes never encounter, even if they live nearby (and they do). Landscape architects, city planners, urban designers, urban ecologists, and other professionals who claim the city as their subject also need to grapple with the issues raised in this film, IMHO.

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Photograph by The Eng Koon/National Geographic

We all know about the amazing expansion of, and creation of new, Chinese cities over the past couple of decades. Discussion of the significance of all that growth is inconsistent. Perhaps we don’t know what conclusions to draw from China because so much of the world seems in flux these days. Straight line projections are more dubious than ever. A couple of articles in the online journal, Foreign Policy, expose our confusion over China, in my opinion.

On August 13, 2012, the journal published an article by Isaac Stone Fish with the provocative title, Unlivable Cities. Fish paints a stark picture of life in Chinese cities. He says that the megacities “may seem impressive on paper, but they are awful places to live.” Fish’s perspective comes from living in China for seven years and traveling widely within it. He first decries the remarkable sameness of many Chinese cities.

Yes, China’s cities are booming, but there’s a depressing sameness to what you find in even the newest of new boomtowns. Consider the checklist of “hot” new urban features itemized in a 2007 article in the Communist Party mouthpiece the People’s Daily, including obligatory new “development zones” (sprawling corporate parks set up to attract foreign direct investment), public squares, “villa” developments for the nouveau riche, large overlapping highways, and, of course, a new golf course or two for the bosses. The cookie-cutter approach is such that even someone like Zhou Deci, former director of the Chinese Academy of Urban Planning and Design, told the paper he has difficulty telling Chinese cities apart.

This model of endless fractal Beijings wouldn’t be so bad if the city itself were charming, but it is a dreary expanse traversed by unwalkable highways, punctuated by military bases, government offices, and other closed-off spaces, with undrinkable tap water and poisonous air that’s sometimes visible, in yellow or gray. And so are its lesser copies across the country’s 3.7 million square miles, from Urumqi in the far west to Shenyang way up north. For all their economic success, China’s cities, with their lack of civil society, apocalyptic air pollution, snarling traffic, and suffocating state bureaucracy, are still terrible places to live.

Fish saves his harshest critique for Harbin, the northern Chinese city with over 6 million residents that is the home of the Harbin Institute of Technology and the International Ice and Snow Sculpture Festival. (A good number of Chinese landscape architecture students studying in the U.S. hail from Harbin.)

Like many Chinese cities, Harbin can be extremely challenging to the health — and not just due to the sometimes scandalously toxic food served in dim, poorly lit restaurants. Hospital bathrooms in Harbin and elsewhere often lack soap and toilet paper, ostensibly out of fear that residents will steal the items. Six months after I arrived, a benzene spill in the nearby Songhua River briefly left the city without running water. The air in Harbin was so polluted that I felt as though the coal dust had sunk into my lungs, and a fine layer of black soot seeped in through our windows overnight. But even Harbin wasn’t as filthy as Linfen, a city of 4 million people in central China’s Shanxi province that Time in 2007, on a list of the world’s 20 most polluted cities, said made “Dickensian London look as pristine as a nature park.”

Whoa! Not exactly a gleaming city of the future! Fish lightens up a bit toward the end of the article, but the focus is clearly on the “unlivability” aspect. Contrast that with another Foreign Policy article from the Sept/Oct, 2012 issue  and the cognitive dissonance is hard to avoid. Dustin Roasa tells us that the cities of the future are made in China. Is that supposed to be exciting, or terrifying? Roasa lands on exciting. Roasa’s claims ring true too, as he says “China is at the forefront of the world’s flashiest urban innovations.” Roasa recites a list of Chinese innovations, some familiar, some not, and he begins his article with lines designed to make Americans cringe. It’s the familiar meme:

just 12 years into the Asian Century, the city of the future has picked up and moved to China. No less than U.S. Vice President Joe Biden recognized this when he said not long ago, “If I blindfolded Americans and took them into some of the airports or ports in China and then took them to one in any one of your cities, in the middle of the night … and then said, ‘Which one is an American? Which one is in your city in America? And which one’s in China?’ most Americans would say, ‘Well, that great one is in America.’ It’s not.” The speech raised eyebrows among conservative commentators, but it points out the obvious to anyone who has spent time in Beijing, Hong Kong, or Shanghai (or even lesser-known cities like Shenzhen and Dalian, for that matter).

In these cities, visitors arrive at glittering, architecturally arresting airports before being whisked by electric taxis into city centers populated by modular green skyscrapers. In the not-so-distant future, they’ll hop on traffic-straddling buses powered by safe, clean solar panels. With China now spending some $500 billion annually on infrastructure — 9 percent of its GDP, well above the rates in the United States and Europe — and with the country’s population undergoing the largest rural-to-urban migration in human history, the decisions it makes about its cities will affect the future of urban areas everywhere. Want to know where urban technology is going? Take the vice president’s advice and head east.

OK, China is a huge country, and Harbin and Shanghai are very different places. But the efforts exerted in Beijing to alleviate air pollution in advance of the Olympics make it clear that the horrible and the impressive can coexist. If, indeed, Chinese cities are the cities of the future – models for the rapidly growing cities in Asia, Africa, and elsewhere – what part of the model will we get?

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All in the name of citizen-led urban redevelopment. OK, a bit breathless and slightly high pitched too. But good nevertheless. I love it when people send me good links (thanks Andy!). Follow this one to see a TED X presentation by Jason Roberts of the Better Block project – rapid urban revitalization.

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From ASLA’s The Dirt blog: In D.C., New Eco-District Plans Unveiled.

110 acre, 15 sq blocks south of the Mall

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Medellín, Columbia, a city once known for catastrophic levels of drug violence and now considered by many to be “reborn,” was the subject of an article in the New York Times yesterday. New public architecture, infrastructure, and public space are noticeable drivers of change in this city, and the author, Michael Kimmelman, describes the physical changes and illustrates them with a slideshow. Kimmelman also calls our attention to an essential fact of urban renaissance – there has to be a mechanism for financing it. Medellín has a vehicle for transformation that no U.S. Rust Belt city has.

Medellín, by contrast [with Bogotá, a city now struggling to maintain its achievements], still counts on an almost fierce parochial pride, a legacy of decent Modernist architecture dating back to the 1930s, a cadre of young architects being aggressively nurtured and promoted, and a commitment by local businesses to improve social welfare that begins with the city’s biggest business: its state-owned utilities company, E.P.M.

You can’t begin to grasp Medellín’s architectural renaissance without understanding the role of E.P.M., the Empresas Públicas de Medellín, which supplies water, gas, sanitation, telecommunications and electricity. It’s constitutionally mandated to provide clean water and electricity even to houses in the city’s illegal slums, so that unlike in Bogotá, where the worst barrios lack basic amenities, in Medellín there’s a safety net.

More than that, E.P.M.’s profits (some $450 million a year) go directly to building new schools, public plazas, the metro and parks. One of the most beautiful public squares in the middle of Medellín was donated by E.P.M. And atop the slums of the city’s Northeast district, E.P.M. paid for a park in the mountaintop jungle, linked to the district by its own cable car.

Federico Restrepo used to run E.P.M., before he became the city planner under Mr. Fajardo. “We took a view that everything is interconnected — education, culture, libraries, safety, public spaces,” he told me, pointing out that while fewer than 20 percent of public school students here used to test at the national average in 2002, by 2009 the number exceeded 80 percent.

“Obviously it’s not just that we built and renovated schools,” he said. “You have to work on the quality of teaching and nutrition in conjunction with architecture. But the larger point is that the goal of government should be providing rich and poor with the same quality education, transportation and public architecture. In that way you increase the sense of ownership.”

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Seems fitting for a Sunday afternoon post – a long quote from Leonie Sandercock. These are the opening paragraphs from her chapter in Story and Sustainability (Eckstein and Throgmorton, 2003).

I look into my crystal globe, and I dream of the carnival of the multicultural city. I don’t want a city where everything stays the same and everyone is afraid of change; I don’t want a city where young African Americans have to sell drugs to make a living, or Thai women are imprisoned in sweat shops in the garment district where they work 16 hours a day 6 days a week; where boys carry guns to make them feel like men, suspicion oozes from plaster walls, and white neighborhoods call the police if they see a black or a stranger on their street. I don’t want a city where the official in charge refuses to deal with the man standing at his desk because everything about him is different; where immigrants are called “blackheads” and forced to find shelter in the industrial zone; where whites pay more and more of their private incomes to protect themselves from “strangers” and vote for officials who will spend more of everyone’s tax dollars on more law and order rather than more schools and health clinics; where political candidates run on promises of cutting off services to “illegal immigrants”; where the media teaches us to fear and hate one another and to value violence in the name of “patriotism” and “community.” I don’t want a city where the advertising men are in charge and there are no circuses for those without bread. I don’t want a city where I am afraid to go out alone at night, or to visit certain neighborhoods even in broad daylight; where pedestrians are immediately suspect, and the homeless always harassed. I don’t want a city where the elderly are irrelevant and “youth” is a problem to be solved with more control. I don’t want a city where my profession – urban planning – contributes to all of the above, acting as spatial police, regulating bodies in space.

I dream of a city of bread and festivals, where those who don’t have the bread aren’t excluded from the carnival. I dream of a city in which action grows out of knowledge and understanding; where you haven’t got it made until you can help others to get where you are or beyond; where social justice is more prized than a balanced budget; where I have a right to my surroundings, and so do all my fellow citizens; where we don’t exist for the city but are wooed by it; where only after consultation with us could decisions be made about our neighborhoods; where scarcity does not build a barbed-wire fence around our carefully guarded inequalities; where no one flaunts their authority and no one is without authority; where I don’t have to translate my “expertise” into jargon to impress officials and confuse citizens.

I want a city where the community values and rewards those who are different; where a community becomes more developed as it becomes more diverse; where “community” is caring and sharing responsibility for the physical and spiritual condition of the living space. I want a city where people can cartwheel across pedestrian crossings without being arrested for playfulness; where everyone can paint the sidewalks, and address passers-by without fear of being shot; where there are places of stimulus and places of meditation; where there is music in public squares, buskers (street entertainers) don’t have to have a portfolio and a permit, and street vendors coexist with shopkeepers. I want a city where people take pleasure in shaping and caring for their environment and are encouraged to do so; where neighbors plant bok choy and taro and broad beans in the community gardens. I want a city where my profession contributes to all of the above, where city planning is a war of liberation fought against dumb, featureless public space; against STARchitecture, speculators, and bench markers; against the multiple sources of oppression, domination, and violence; where citizens wrest from space new possibilities and immerse themselves in their cultures while respecting those of their neighbors, collectively forging new hybrid cultures and spaces. I want a city that is run differently than an accounting firm; where planners “plan” by negotiating desires and fears, mediating memories and hopes, facilitating change and transformation.

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My research on the potential for design to positively affect low income communities led me to an editorial in the New York Times from May of last year. The article’s title is Hands Off Our Houses, and it was a response to a competition to design a $300 house for the world’s poor. The authors, Matias Echanove and Rahul Srivastava, work in Dharavi, a neighborhood in Mumbia “that has become a one-stop shop for anyone interested in ‘slums’.” They give us a glimpse into a world that outsiders, especially Westerners, do not understand. Without an understanding rooted in the uniqueness of place, and of the lives of people living in that place, designers cannot offer solutions. The $300 house, an idea with good intent, will not help the poor of Dharavi for these reasons:

To start with, space is scarce. There is almost no room for new construction or ready-made houses. Most residents are renters, paying $20 to $100 a month for small apartments.

Those who own houses have far more equity in them than $300 — a typical home is worth at least $3,000. Many families have owned their houses for two or three generations, upgrading them as their incomes increase. With additions, these homes become what we call “tool houses,” acting as workshops, manufacturing units, warehouses and shops. They facilitate trade and production, and allow homeowners to improve their living standards over time.

None of this would be possible with a $300 house, which would have to be as standardized as possible to keep costs low. No number of add-ons would be able to match the flexibility of need-based construction.

In addition, construction is an important industry in neighborhoods like Dharavi. Much of the economy consists of hardware shops, carpenters, plumbers, concrete makers, masons, even real-estate agents. Importing pre-fabricated homes would put many people out of business, undercutting the very population the $300 house is intended to help.

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Take a look at this Next American City review of the Museum of Modern Art’s Foreclosed exhibit.

Curated by Barry Bergdoll and produced in less than three years (lightning-fast for large museums like MoMA), Foreclosed presents five architectural projects that rethink the suburbs from their economic underpinnings to their aesthetic character. But while the exhibit’s thesis that sprawl is toxic jives with that of many urbanists, the architectural remedies on display seem almost as problematic.

And the crux of the criticism:

It was critically apparent that none of the architects participating in the exhibit actually live in the suburbs (a fact confirmed by the exhibit’s curator). …snip… This outsider perspective on the suburbs is the exhibit’s crucial flaw and inevitably influenced the architects to propose interventions in suburbia that have all the grace of a superblock in the middle of the city grid. Despite their good intentions, their efforts at sustainability and their smart alternatives to homeownership, the architects’ wrath for the suburbs has caused them to create projects that annihilate the suburbs rather than improve them.

Follow the link for the full review, and see some images from the exhibition here. And while you are at the Next American City site, check out the article titled, What Legos Can Teach Us About Civic Participation.

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