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Posts Tagged ‘creativity’

In Small Change, Nabeel Hamdi includes an excerpt from Italo Calvino’s Le Cita Invisibili (1972) that I find striking, especially as I consider the challenges of planning in the merging megacities of the world. It’s worth sharing, I think.

Zenobia, a city in Asia, has houses made of bamboo and zinc, with many platforms and balconies placed on stilts at various heights, crossing one another, linked by ladders and hanging belvederes, with barrels storing water, weather vanes, jutting pulleys, fish poles and cranes.

No-one remembers what need, command, or desire drove Zenobia’s founders to give their city this form, as the buildings are constructed on pilings that sit over dry terrain. But what is certain is that if a traveler asks an inhabitant of Zenobia to describe his vision of a happy life, it is always a city like Zenobia that he imagines, with its piling and suspended stairways, a Zenobia perhaps aflutter with banners and ribbons, quite different from the original but always derived by combining elements of that first model.

However, it is pointless to try to decide whether Zenobia is to be classified among happy cities or among the unhappy. It makes no sense to divide cities into these two species, but rather into a different two: those that through the years and the changes continue to give form to their desires and those in which desires either erase the city or are erased by it.

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It would seem that conceptual thinking is inseparable from design, but I find that many design students just cannot grasp the idea of abstraction. Can this be taught? Is the capacity for conceptual thought just part of a person’s DNA? In searching online for insights, I found these observations.

1. This definition from the Eleven Seconds blog:

conceptual thinking is simply the ability to effortlessly walk up and down the ladder of abstraction

and the slightly murkier:

 To make their thinking useful, abstract thinkers need to be able to convert something abstract into something concrete, and vice versa.  This ability is what I call conceptual thinking.  A conceptual thinker starts in the concrete, then walks up the hierarchy of abstractions.  At some level they make connections between the abstract representation of the concrete thought and another abstract representation.  If need be, they can then walk that abstract thought back into another, very different concrete thought.  The idea is that a local search (i.e. making connections) in the abstract space is easier than a local search in the concrete space.  And so that person can either communicate more effectively, or solve the problem more effortlessly.

The example given of moving from the concrete to the abstract is seeing the concrete problem as an example of a more generic class or category of problems. Pattern recognition leads to relationships between ideas and eventually back to the concrete.

2. Discussion about conceptual thinking in the world of business tends to focus on the growing need for such thinkers in business (critical for the flexibility and innovation demanded by the global economy) and on the fact that these people are “hard to come by.” (more…)

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