Image of McHarg on this 2007 book by Margulis, Corner, and Hawthorne
It’s a curious thing, the haunting, and conflicting, influence of Ian L. McHarg on landscape architecture. He is certainly one of a very small number of widely acclaimed, internationally recognized, landscape architects of the 20th century, and his influence extended well beyond the discipline. He’s been called “legendary.” Nevertheless, landscape architecture academics (perhaps others, but that’s the group I know) have been tied in knots over McHarg for the better part of the past few decades now.
Last week, I asked a group of 30 3rd-year landscape architecture undergraduates if they had ever heard of McHarg or the book Design With Nature. I have been asking this question for several years now, but this year is the first in which no one in the class raised their hand. This result did not come as a total surprise since the number of hands raised has been very small over the last couple of years, but it still startles me. I think there’s a very good chance that students in programs across the U.S. today graduate without ever hearing about this prominent, however polarizing, figure in the profession.
My first encounter to vehement …dislike??… of McHarg among my academic colleagues came when I started teaching 12 years ago. I was photocopying an excerpt from Design With Nature to use in class when a fellow professor said something to the effect of “Argh, what a misanthrope that guy was!” I have tread cautiously ever since, mindful of what seemed to be a mounting volume of journal articles and book chapters that have dissected McHarg’s legacy in the profession, much of which casts it in an unfavorable light. Contrasting this with what is written about McHarg from those outside of landscape architecture, and how many times his writing continues to be cited favorably today, reveals a paradox, in my opinion.
So it is with great curiosity that I observe a number of landscape urbanists prominently featuring images of McHarg and the book, Design With Nature, in their public presentations. For example, in this video of Charles Waldheim‘s November 2010 address to architecture and urban design students at the University of North Carolina, Waldheim discusses McHarg’s ideas of ecological planning, drawing a line between landscape planning of McHarg’s generation and the newer ideas of landscape urbanism. And Waldheim’s perspective is critical too, referring to the “failed McHargian project.” But the failure that Waldheim cites has nothing to do with a schism between art-based and science-based perspectives, often the root of conflict among LA academics to date, but instead is about the reliance of the “McHargian project” on planning bureaucracy. (That’s another story – the demonization of planners who are a weak force in the U.S., at least, in the face of the moneyed interests of the Growth Machine.)
When McHarg attended Harvard in the late 1940s, he found that the works of Olmsted and Charles Eliot were barely acknowledged (according the McHarg’s biography A Quest for Life). Olmsted was essentially rediscovered in the 1960s (it’s hard for current students to believe he was ever forgotten), while Eliot remains obscure for most. As the academics of the 1980s and 90s retire and what has seemed like personal baggage among some becomes irrelevant, will McHarg be rediscovered? Is that already happening?
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